SCHOOL OF THE ARTS   |  UNIVERSITI SAINS MALAYSIA

DR. MOHAMMAD KHIZAL BIN MOHAMED SAAT

Senior Lecturer
+604-6534072
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Mohammad Khizal Mohamed Saat received his BA in Fine Arts at the Universiti Teknologi Mara (UiTM) in 1999, majoring in Printmaking. In 2003 Khizal received another degree in MFAD from the University of Tasmania, Australia in the same area of study. He has been teaching as a lecturer in the Fine Arts Department, School Of The Art, Universiti Sains Malaysia Penang Since 2004. In 2016 he received his Ph.D. (Studio Practice) In Fine Art.

Education

  • MFAD, UNI.TASMANIA, AUS

     

  • PHD, UPSI

     

  • BFA, UITM

     

Areas of Expertise

STUDIO PRACTICE, PRINTMAKING, FINE ART

Research Interest

  • Application of alternative printmaking and studio practice research approaches.

Research Topics

  • Studio Practice, Fine Art, History of Printmaking, Contemporary Printmaking, Consumer Study,

USM EXPERTS

SPORTLIGHTS

  • PUBLICATIONS



    • A.S.Shahrul, Saat.M.K, 2022, Reka Bentuk Illustrasi Wafak dalam Manuskrip Pelaga Lembu : Penelitian Simbolik dalm Konteks Seni Rupa Tradisi, Filologi Melayu, Jilid 29:, 101-122

    • F.Zang, A.F.Tetriana, Saat.M.K, 2022, Qualitative Comparative Analysis in The Emotion Of Artistic Creativity: Any Analysis Of Isolation In Painting, Journal Of Urban Cultural Research, Vol 24:, 176-193

    • Badghaish A. O., Mohamed Saat, K., 2022, Art As A Venue For Social Commentary: Modern Arab Printmakers And Social Consciousness, International Journal Of Heritage, Art, and Multimedia, VOL.5:

    • Mohamed Saat, M. K, Omar, A, Arshad, F.M, 2021, Selected Highlights on Alternative Printed Art Works by Juhari Said, Kupas Seni, VOL.9, 99-115

    • Adi, Sigit Purnomo, Mohamed Saat, M. K, 2021, THE GUNUNGAN METAPHOR IN THE URIP IKU URUP VIDEO ART, Capture : Jurnal Seni Media Rekam, Vol:13 No.1:, 71-77

    • Adi, Sigit Purnomo, Mohamed Saat, M. K, 2022, POSTER DENGAN TEKNIK CETAK TINGGI SEBAGAI BENTUK KRITIK EKOLOGIS, Jurnal Kreasi Seni dan Budaya, vOL:4 No. 2:, 84-91

    • Adi, Sigit Purnomo, Mohamed Saat, M. K, 2021, MINI PRINT ARTWORK CREATION WITH SATO KEWAN OBJECT, ARTISTIC: International Journal of Creation and Innovation, Vol. 2 No. 2:, 82-91

    • Li, C. L.,, Mohamed Saat, M. K, 2021, Intercultural Perspectives on Image Construction and Aesthetic Narrative in Chinese Painting, Cross-Cultural Communication, Canadian Academy of Oriental and Occidental Culture, 17, No. 4,:, 53-58

    • Li, C. L.,, Mohammad Khizal Bin Mohamed Saat, 2022, The Development of Aesthetic Education: A perspective of Calligraphy and Painting Theory Teaching for Chinese Institutions of Higher Learning in New Era. Cross-Cultural Communication, Cross-Cultural Communication, Canadian Academy of Oriental and Occidental Culture, VOL.18, 83-91

    • Mohammad Khizal Bin Mohamed Saat, 2021, Artist Exploration on Media and Materials Towards

    • Mohammad Khizal Bin Mohamed Saat, (2017), Cetakan Konvensional dan Alternatif sebagai Medium Komunikasi Visual Dalam Seni Tampak Malaysia, Post Graduate-Social Science - Colloqium Proceeding,

  • MASTER/PHD PROJECT SUPERVISED



    1. Master Mixed Mode- Mohd Zahari Mat Nor 2015/ Interpretasi Saka Dalam Konteks Masyarakat Melayu Menerusi Eksplorasi Seni Seramik Eksperimental- -Graduated /2016

    2. Master Mixed Mode - Ali Shariati Bin Ahmad Suhaimi, 2015/Pengiklanan: Interpretasi Illusi Melalui Karya Seni-/Graduated/2016/ Co-supervisor

    3. Master Mixed Mode - Rosmidahanim Bt Razali, 2015/Transformasi Rekabentuk Acuan Kuih Melayu Sebagai Karya Seni Seni Cetakan Alternatif-Graduated/2016/Main Supervisor

    4. Master Mixed Mode - Asrul Nizuan Bin Ariffin, 2015 - Interpretasi Obsesi dan Pengaruh Budaya Konsumer Dalam Pendekatan Kod QR-Graduated/2016/Main Supervisor

    5. Master Mixed Mode - Mixed Mode, main Supervisor/ Sirage Naglaa Saad Zaghloulgaber,2017, The use of Hologram as a projection to enhance the artwork in an art exhibition./Graduated/2018

    6. Master Mixed Mode- Xu Yijiao, 2018/ Co-Supervisor: Colour Film: Impression Through Painting/Graduated/2018

    7. Nik Mohd Husyaidie Bin Che Hussin, 2016, Master Mixed Mode), Simbolisme Pohon Beringin: Interpretasi Menerusi Penggunaan Cahaya dan Bayang Dalam Karya Instalasi/ Graduate/Co-supervisor

    8. Master Mixed Mode /Mohamad Adzan Bin Mohd Zaini, 2015,), Kemusnahan Hutan:Representasi Ancaman Kemusnahan Ekosistem Menerusi Karya Instalasi/2016/ Co-supervisor/Graduate/

    9. Badghaish Amal Omar A, 2018, Doctor Of Philosophy, Research - Full Time, A Modernize Vision For Spatial Dimension Of The Roshan In Printmaking, Main Supervisor (AKTIF)

    10. Hanan Abdulrahman S Alrasheed, 2017, Doctor of Philosophy, Research - Full Time, The use of mixed media in printmaking art to generate Saudi paintings patrimony, Main Supervisor (AKTIF)

    11. Chin Soo Fong, 2017, Doctor Of Philosophy, Research - Part Time, Persembahan Jenis Realiti Dalam Create your own automated PDFs with Jotform PDF Editor- It’s free 2 Lukisan Remaja (Presentation Types Of Realities In Teenagers drawings), Main Supervisor (Aktif)

    12. Mohd Fawazie Bin Arshad, 2015, Doctor of Philosophy, Research - Part Time, Evolution and Innovation in Malaysian Contemporary Printmaking, Co-supervisor (AKTIF)

    13. Asma Nawaf Abdallah Mayyas, 2021, Doctor of Philosophy, Research - Full Time, Comparative Analysis of Drawing Creation: Between Referring to Photographic Imagery and Usage of Memory, Main Supervisor (AKTIF)

    14. Yan Yichao, 2021, Doctor of Philosophy, Research - Full Time, Research on the Aesthetic Value of Taohuawu Wood Engraving New Year Picture., Main Supervisor (AKTIF)

    15. Liu Nan, 2021, Doctor of Philosophy, Research - Full Time, A Comparative Study of Contemporary Printmaking in Malaysia and China., Main Supervisor (AKTIF)

    16. Li Chenglin, 2021, Doctor of Philosophy, Research - Full Time, Visual Turn: A Study of Image Metaphor in Chinese Contemporary Painting., Main Supervisor (AKTIF)

    17. Nurshafiqa Shuhada Binti Mazlan Azhar, 2020, Doctor of Philosophy, Research - Full Time, Visual Representation in Malay Manuscripts: Identifying Approach and Technical Knowledge Used in Selected Malay Manuscript., Main Supervisor (AKTIF)

    18. Liu Fulong, 2020, Doctor of Philosophy, Research - Full Time, Explore the Application of Graphic Visual Element Painting in Real World., Main Supervisor (AKTIF)

    19. Zhu Xiaoming, 2020, Doctor of Philosophy, Research - Full Time, Exploration of Painting Language for Mixed Media and Emotional Expression of Contemporary Women, Main Supervisor (AKTIF)

    20. Wei Jinqin, 2020, Master, Research - Full Time, Possibility of Crossover Between Printmaking Ontology Elements and Modern Media., Main Supervisor (AKTIF)

School of The Arts
Universiti Sains Malaysia, 11800 Penang Malaysia
t: 604 – 653 3888 ext: 3621 / 3415 | f: 604 – 657 6296
e: This email address is being protected from spambots. You need JavaScript enabled to view it. (Dean)
e: This email address is being protected from spambots. You need JavaScript enabled to view it. Noor Rismafarra Binti Haris (Assistant Registrar)